The song ‘Sarke Chunar Teri Sarke’ has faced significant backlash, culminating in the National Commission for Women (NCW) summoning Sanjay Dutt and others involved in its production. This development arises from allegations of obscenity and vulgarity in the song’s lyrics and choreography, which have sparked widespread criticism.

The NCW has taken suo motu cognizance of media reports regarding the song, indicating that the content appears to be sexually suggestive and objectionable. The commission has mandated that the individuals summoned, including Dutt, must appear before them on March 24, 2026, accompanied by relevant documents.

In light of the controversy, the Hindi version of the song has already been removed from YouTube following public outcry. The song is part of the upcoming Kannada film ‘KD: The Devil’, directed by Prem and featuring Dhruv Sarja.

Nora Fatehi, who recorded the Kannada version of the song three years ago, expressed her confusion regarding the controversy, stating, “I don’t understand the Kannada language, in which the original song, Sarse Ninna, is composed.” This highlights the complexities involved in translating cultural content across languages.

Raqueeb Alam, who was responsible for the Hindi lyrics, acknowledged the concerns raised, noting that he had warned the makers that the Hindi lyrics were vulgar. He explained, “I was told to do a literal translation from the Kannada version and that’s what I did,” suggesting that the intent was not to create offensive content.

The NCW has made it clear that failure to appear before them may invite appropriate action as per law, indicating the seriousness of the situation. Observers are closely monitoring how this controversy will unfold, particularly in light of the upcoming release of ‘KD: The Devil’ on March 30, 2026.

This incident underscores the ongoing tensions in the entertainment industry regarding the portrayal of women and the boundaries of artistic expression. As the NCW prepares for the hearing, the implications for all parties involved remain to be seen.

Details remain unconfirmed regarding the specific actions the NCW may take following the hearing, but the case has already ignited discussions about the responsibilities of artists in addressing societal values.

As the situation develops, it will be crucial to observe how the involved parties respond and what measures the NCW will implement in light of the allegations against Sanjay Dutt and his collaborators.

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Indian rapper Badshah is currently embroiled in legal troubles following the registration of a First Information Report (FIR) against him for his song “Tateeree.” The FIR, filed on March 6, 2026, cites violations under Section 296 of the Bharatiya Nyaya Sanhita and Sections 3 and 4 of the Indecent Representation of Women (Prohibition) Act, 1986.

The controversial song allegedly features minor girls in school uniforms throwing their school bags and running away from studies, which has sparked outrage among various groups. In response to the backlash, the Haryana Education Minister condemned the video, stating, “The depiction of school girls in the song and the manner our culture is shown in it is condemnable,” highlighting the cultural sensitivities involved.

As part of the investigation, the Haryana Police has initiated the process of issuing a Look Out Circular (LOC) against Badshah to prevent him from leaving the country. Additionally, the police are looking into whether proper permissions were obtained for using a Haryana Roadways bus in the music video.

In light of the controversy, Badshah issued a public apology, stating, “I belong to Haryana, and I had no intention to speak indecently about any woman or children.” He further expressed remorse, saying, “If anyone is hurt, I seek apology. I expect that you will forgive me by considering me the son of Haryana.”

The Haryana State Commission for Women has summoned Badshah to appear before them on March 13, as part of their inquiry into the matter. The police are also conducting raids to locate and arrest him.

In a significant move, the song has been removed from YouTube, and notices have been issued to take it down from other social media platforms. Two FIRs have been triggered by the song’s content—one naming Badshah and another against unidentified persons.

Rahul Jain, a representative from Haryana Roadways, stated, “We did not provide any bus for the shooting of the song,” indicating potential legal ramifications for the use of public property in the video.

Badshah, whose real name is Aditya Pratik Singh Sisodia, is known for his popular Haryanvi music and has a substantial following. However, this incident marks a significant turning point in his career, raising questions about the responsibilities of artists in their portrayal of sensitive subjects.

As the situation develops, Badshah is expected to appear before the police as per the formal notice issued to him. Details remain unconfirmed regarding the outcome of the investigations and any further legal actions that may arise.

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