With Love OTT: A New Tamil Romantic Comedy on Netflix
On March 6, 2026, the Tamil romantic comedy film With Love made its digital debut on Netflix, following its theatrical release on February 6, 2026. The film, directed by Madhan, stars Abishan Jeevinth and Anaswara Rajan in lead roles, bringing a fresh narrative to the streaming platform.
With a runtime of 2 hours and 21 minutes, With Love delves into themes of nostalgia and past relationships, offering viewers a poignant exploration of young adulthood and romantic insecurities. The film has been well-received, garnering a rating of 6 on IMDb, indicating a positive reception among audiences.
The film is notable for its multilingual availability, streaming in five languages: Tamil, Telugu, Hindi, Malayalam, and Kannada. This broad accessibility aims to reach a diverse audience, reflecting the growing trend of regional films finding a place in the global streaming market.
Produced by Soundarya Rajinikanth and Magesh Raj Pasilian, With Love features a musical score composed by Sean Roldan, enhancing the film’s emotional depth and connection with the audience. The film’s portrayal of modern relationships resonates with many, as it captures the complexities and nuances of love in today’s world.
Prior to its release, With Love generated significant buzz within the Tamil film community, with many anticipating its arrival on Netflix. The film’s exploration of niche facets of relationships has been a focal point in discussions among critics and fans alike.
As the film continues to stream on Netflix, initial reactions from viewers have been largely positive, with many praising the performances of the lead actors and the film’s relatable themes. The film’s ability to connect with audiences through its storytelling has positioned it as a noteworthy addition to the OTT landscape.
Overall, With Love stands as a testament to the evolving nature of Tamil cinema and its capacity to engage with contemporary issues through the lens of romance. As it finds its place in the OTT realm, it reflects the changing dynamics of how stories are told and consumed in the digital age.
